Art, Data & Tech: A Recap from My Vancouver Exhibition 1024 495 Michelle

Art, Data & Tech: A Recap from My Vancouver Exhibition

My recent solo show in Vancouver was an exciting opportunity to showcase my work—and just as importantly, to listen. The conversations I had over the weekend confirmed something I’ve been exploring for a while: data visualization in fine art resonates deeply with people in tech, science, and research industries.

With pieces ranging from $675 to $16,500, I saw interest at multiple levels—collectors purchasing mini sculptures, custom commission requests, and even discussions about corporate gifting. But beyond sales, the most interesting part was who was drawn to the work and why.

The Power of Data-Driven Art

One of the biggest takeaways? Starting the conversation with data visualization was key. It immediately clicked with people who work with data in their own fields, creating unexpected connections:

🌀 An IT professional who surfs saw movement patterns that reminded him of surfing charts. He said he had never connected with art before but was almost moved to tears (though, in fairness, he had a few drinks!).

🔬 A biochemist working on a natural alternative to glow sticks for the fishing industry was fascinated by my material choices and how I experiment with textures.

📊 A digital product designer loved the concept of turning data into an abstract, emotional experience—something he aims to do in his own field but through UX/UI rather than sculpture.

💎 A gemologist and IT professional immediately connected with the crystalline, reflective qualities in my work, purchasing two mini pieces to display alongside his rock collection.

🌊 A researcher from Western University reached out pre-show to discuss her work on weather data from ‘England’s Ice Age’, seeing potential intersections with my climate-related themes.

What struck me most was that many of these individuals wouldn’t consider themselves “art people,” yet they found something familiar, even personal, in my work. It reinforced that fine art isn’t just for traditional collectors—it can engage industries that thrive on data, research, and visualization.

What’s Next?

This experience got me thinking about how to expand my reach:
The tech sector (especially in Calgary) could be a natural audience for my work.
Universities & research centers may be interested in exhibitions, collaborations, or acquisitions.
Corporate art collections—especially in data-driven industries—could be a strong fit, with art consultants helping bridge the gap.

If you work in one of these fields and find yourself intrigued, let’s talk! I’m always interested in how data, research, and visual storytelling intersect.

📩 Interested in commissions or collaborations?

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